Chessman

chessman

Long after the family was asleep, my father would put on his eyeglasses and mimic the moves made by grandmasters Bobby Fischer and Garry Kasparov on his own chess set so he could study their strategies. My father never finished ninth grade. 

In gray and leathered eld, 
The carpenter’s day is spelled, 
By the brilliance of the crackling hearth, 
And the sixty-four squares, 
He tries with might to chart.
 


Compassion


We all have memories of small events or scenes that inexplicably loom large in our consciousness. Maybe that’s for a reason. Maybe they help shape who we are as individuals.


If you’ve ever seen a fly
seconds after it’s been sprayed,
struggling on the sill
in an irreversible daze —


         that’s where you’ll find me.


I’ll burn the scene into your mind,
then I’ll make you hit rewind, —
so deep it’s carved in your memory,
so it haunts you when you sleep.


For I am swift and hell-bent,
before I can be kind,
and never shall I relent
until the time arrives,
when Anger my enemy
and his bedfellow Hate
within your heart evaporate,
     and you can’t even harm a fly.


From King to King (The Rodney King Story)

A friend asked me to help her with a school assignment: Write a poem in the style of e.e. cummings. For some reason, I chose Rodney King as my subject. (She got an A.) 

Bloods. 
Crips. 
Fighting for an identity on the streets, 
Fighting for a leader long lost. 
 
Ruling their turf with sticks and stones, 
Yearning for that society, to them, unknown, 
Raging, hating, set to explode. 
 
Pigs. 
Cops. 
Upholding law in the asphalt jungle? 
Crucifying justice at a baton’s whim. 
 
Lying, twitching, a victim to The Man, 
Unknowing, persecuted because of his tan, 
Now the new King, thanks to an amateur’s hand.


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Oak of Faith

I saw a picture in a magazine of a scowling old man holding a transistor radio up to his ear. He was sitting on a porch in a beat-up chair with a flag behind him. My interpretation: He’s a diehard baseball fan. 

From April to autumn his team has erred, 
Yet little from his threshold has he stirred; 
A charge of static pressed to his ear — 
    An oak of faith in his rickety chair — 
Across the way he still doth stir.


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The Apprentice

Not sure how I arrived at this topic — a young sculptor must create a favorable likeness of an overweight king — but I’m glad I did. I’ve always loved the opening line: “O’er the marble, his wedge doth wend.” 

O’er the marble his wedge doth wend, 
    Scudding by the force of his mallet; 
‘Round his blade his fingers doth bend — 
(Calloused the grip of an artisan’s hands, 
    Who eschews the oils of the palette.) 
 
On this semblance keyed for the throne, 
    Set asunder by his Master, 
Slaveth he for fairness in stone — 
(Concealed the King’s unflatt’ring folds, 
    Encased in a tunic of white alabaster.)


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The Figure Skater

Had the privilege of seeing Olympian Paul Wylie about an hour before a performance. He was alone, deep in concentration, and not nearly as happy as he appeared on the ice a few minutes later. That got me thinking …

I
Shrouded in secrecy — alone,
Atop the hall.
All a-hush;
A time to withdraw.


Cloaked in darkness — watching,
The crowd filter.
A murmured hush;
A time to envision.


Draped in silence — list’ning,
For the cue.
A hushed voice;
A time for greatness.

II
Bathed in light — holding,
A dancer’s pose.
A pipe’s tone;
A time for poetry.


Steeped in motion — churning,
In-the-round.
A cello’s song;
A time for grace.


Doused in speed — slashing,
The snowy stage.
A trumpet’s blare;
A time for flight.


III
Soaked in sweat — awaiting,
The critic’s hand.
All a-rush;
A time for judgment.


Show’red in praise — basking,
Midst the crowd.
A rush of flowers;
A time for joy.


Wrapped in ice — hidden,
Behind the curtain.
A rush of pain;
A time for reflection.


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Thomas Veale (The Legend of Dungeon Rock)

I always wanted to write an epoch in the same vein as “The Midnight Ride of Paul Revere” or “‘Twas the Night Before Christmas.” Did oodles of research for this one … fascinating story. Ladies and gentlemen: Thomas Veale! 

Learn more about the Thomas Veale story. 

‘Twas a lowborn Lynner, who it is reputed, 
Took twenty stripes for his thieving of pewter, 
From the well-favored lair of Salem’s Gershome Brown, 
A consid’rable man cross the seafaring towne. 
Veale be his surname, Thomas to his mother, 
Who the townsfolk imputed as their robber. 
A sanguineous chapeau he showily did wear, 
Lopsidedly perched like a fox-terrier’s ears, 
To strategically cover an embattled left eye, 
And ringlets of curls as dark as the night. 
Convinced that his whipping was surely in vain, 
Veale did enlarge his scurrilous game; 
Shortly thereafter, ‘bout half sixteen hundred, 
He stormed to the seas to take to his plunderage. 
With teeth clenched like irons, and brows pursed in folds, 
He snarled at the wind that snapped the crossbones. 
From one ketch to the next, his crew wrangled riches — 
To and including those rightfully British; 
Yet Veale suffered ne’er a nervous man’s twitches, 
Argh, these spoils outshone his younger day filches. 
Then one autumn, at their Cap’n’s behest, 
Veale’s sloop a-shoaled down the river Saugus; 
Away from the vessel four seaman did row, 
With sugar and rum and riches in tow. 
The thickets of Lynn they proclaimed their stead, 
As tales of the parrying pirates did spread; 
But soon as their garden showed lifebuds of Spring, 
Down came a mandate from the murderous King: 
“So our waters might be Free of Pyratical Fear, 
Vengeance need be Levied on Veale the Buccaneer!” 
Anon three were caught, napping in a glenn, 
And shown to the gallows of bloody England; 
Yet there still breathed a fourth who did employ the Woods, 
To humbug the hounds, as but the Cap’n could. 
A home walled with stone he was force to concoct, 
Deep in the darkness of ol’ Dungeon Rock — 
A mountain of ore so enormously vast, 
One hundred feet high, as the legend is passed! 
Down in the chasm he gingerly would crawl, 
Salting away until his belly did growl; 
So, in need of an article to barter for food, 
Leather and buckles he bounded ‘to shoes; 
Tap … tap … tap … echoed through the caverns, 
Like rumours of the treasure of the walls of the taverns; 
A mystery cobbler with an appetite for pillage, 
A makeshift barrow he wheeled about the village, 
To trade his wares for a morsel or crumb, 
Ladled between his two battered thumbs. 
Yet far and wide accusations still stormed, 
Of a man who once lived by the tip of his sword; 
And with nary an oar to return to the fiord, 
Sanctimonious he stood, a pirate “reformed.” 
‘Til one day when the earth shook like thunder, 
And layers of stone buried him under; 
Boulders ‘stead of coral spelt his final doom. 
Blocking the entrance, aye, sealing his tomb. 
In Dungeon Rock Veale would rot, but not his sacred gold — 
Guarded by the lack of a map to decode. 
Now three centuries aft, not a coin has been lifted, 
‘Spite the picks and powder of many a grifter, 
Who frustrated o’er the years they enlisted, 
Swear the sea-rover never existed. 
But if ye dare take a walk today by the Rock, 
At night when the hands strike twelve on the clock, 
In water knee-deep you’ll be brought to a kneel, 
By a haunting ghost sound so frightfully real — 
    The tireless tapping of pirate Thomas Veale.
 

Learn more about the Thomas Veale story.


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Unfair

When it comes to the skin tone of certain Anglo-Saxon women, my dark complexion pales by comparison. 

For though her skin’s as ivory fair, 
As a clutch of eggs 
In the care, of 
A snowbird’s nest of wooly flue, 
With each glance I cast at her, 
I face this unfair truth: 
Against her shell, 
I’ll always pale — 
    Though ruddy is my hue. 


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